屠夫小姐

剧情简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。尤金是一位经验非常丰富的外科医生，然而工作之余，他亦是一位深受药瘾所苦的瘾君子。一次手术中，尤金因为磕了药而产生了幻觉，导致手术失败，造成了一个无辜的女孩的死亡。深深的自责纠缠着尤金，让他开始自暴自弃。一天，尤金像往常一样来到酒吧买醉，意外地目睹了一场枪击事件，一个男人胸部中弹性命危在旦夕，尤金秉着医生的职业本能对男人进行了抢救，最终成功地保住了他的性命，这一切都被一个名为雷蒙的男人看在眼底。雷蒙找到了尤金，希望雇佣他替自己干活，而尤金所要做的，就是替那些无法去医院看病的不法之徒医治。。

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